Ableton Liveの正式版「9.2」登場！無償アップデート開始！

・レイテンシー補正関連、ワープ機能向上

・Pushユーザー向け64パッド機能、Max 7追加

・ドラムキット808と909のキック・スネアのサウンド向上

・エフェクターに「チューナー」が機能追加

9.2tuner

ヴァージョン9.2の無償ダウンロードはこちらから

https://www.ableton.com/ja/account/

ワープ機能の向上

Live 9.2では、Liveのオーディオ・ワーピング・エンジンにいくつかの機能向上が追加されています。［Complex］モードおよび［Complex Pro］モードでのトランジェントはよりパンチのあるものになり、強拍検出機能は向上し、ワーピングはより正確になりました。新しい［選択対象をワープ］コマンドでは、サンプルの選択部分を指定の小節長さにワープさせることができます。その他数々の機能向上に加えて、Live 9.2では新たに便利なデバイスTunerが追加されたほか、最新かつ最もパワフルなMaxバージョン、Max 7がMax for Liveに含まれるようになりました。

レイテンシー補正

Live 9.2には、レイテンシー関連の機能向上がいくつか追加されています。Max for Liveデバイスやサードパーティ製プラグインのレイテンシーがさらに低下。また、オートメーションがレイテンシー補正に対応しました。

ワープ機能の向上、Tuner、Max 7など

Live 9.2では、Liveのオーディオ・ワーピング・エンジンにいくつかの機能向上が追加されています。［Complex］モードおよび［Complex Pro］モードでのトランジェントはよりパンチのあるものになり、強拍検出機能は向上し、ワーピングはより正確になりました。新しい［選択対象をワープ］コマンドでは、サンプルの選択部分を指定の小節長さにワープさせることができます。その他数々の機能向上に加えて、Live 9.2では新たに便利なデバイスTunerが追加されたほか、最新かつ最もパワフルなMaxバージョン、Max 7がMax for Liveに含まれるようになりました。

Pushユーザー向け64パッド

Live 9.2では、64パッドすべてを使用してドラムをプレイできるようになりました。また、ステップ・シーケンシング用に16パッドにすばやく切り替えることもできます。すぐに使い始められるよう、64パッド・モードがもたらす機能を最大限に活用できる無償Packをご用意。Rack5つ分に匹敵するハイクオリティのドラム、パーカッション、ループ、ワンショットのサンプルを提供します。64 Pad Labは、Pushをご所有のお客様だけでなく、Liveユーザーも見逃せない無償Packです。

64 Pad Lab無償Packをダウンロード

Push機能向上

Live 9.2では、Pushパッドのアフタータッチ機能が向上し、Liveの主要ライブラリ・サウンドの多くにアフタータッチ機能が追加されています。さらに、Pushのタッチストリップをモジュレーション・ホイール・コントロールおよびピッチ・ベンドに使用できるようになりました。

https://www.ableton.com/ja/blog/live-9-2-out-now/

9.2 リリースノート

Improvements and feature changes:

Added the Tuner Device to the Live audio effects.

Added a “Start Playback with Tap Tempo” preference to determine if Tap Tempo is going to activate playback.

Improved tempo detection for warped audio files where the tempo appears to be constant.

Improved warp downbeat detection.

The first warp marker (1.1.1) is now placed closer to the beginning of an audio Clip, even if the that portion of audio does not contain loud transients.

Improved the sound of Complex and Complex Pro Warp modes.

Added the option “Warp Selection as x-Bar Loop” in the context menu when right clicking on a time selection inside an audio clip.

Live Sets that contain Max for Live devices or third-party plug-ins now have lower latency.

The latency introduced by a device is now displayed in the status bar, when hovering over the title bar with the mouse. No latencies are shown when latency compensation is turned off.

Automation and Modulation are now fully latency compensated.

Modifying the Arrangement loop brace with mouse or keys will not affect the current track selection, while previously all tracks were selected as soon as the braces where adjusted with the mouse.

The Serato bridge is now compatible with Live 9.2

Scrub and Ram Mode are now exposed in the python API

Added support for the Roland A-PRO keyboard series

Most presets in “Sounds” and all presets in Operator have been updated to react to Aftertouch and/or Modwheel data.

Updated 808 and 909 Kits with better sounding Kicks and Snares.

New 606 & 808 Impulse presets have been added to the Core Library.

Core Library Audio Clips now load with HiQ enabled and Fade disabled.

The preferences setting “Start Transport with Record” has been renamed to “Start Playback with Record”

Updated lessons and info texts.

Dropped compatibility for Windows XP and Vista, OS X 10.5 and 10.6.

Bugfixes:

When switching between Note and Scene mode with the APC20, the pad LEDs would occasionally not update correctly.

The Session Ring would not be entirely displayed on screen anymore when navigating through tracks if the Live Set contained folded Group tracks.

Fixed a bug in the Axiom Air 25, 49 and 61 Control Surface remote script, where the Send mix mode controlled the available Sends for the currently selected channel, instead of controlling Send A for the first 8 channels.

Fixed a bug in the MPK Control Surface remote script, where the Record Arm button had to be pressed twice to be toggled, and Exclusive Arm would not work.

Fixed a bug in the Vestax VCM600 Control Surface remote script, where the Punch In and Punch Out controls would work only as momentary toggles.

Fixed a bug which caused artefacts in the waveform visualisation when increasing the Gain on low amplitude audio clips.

Live would not display bluetooth audio devices in the Input and Output device menu under Preferences–>Audio

When controlling a number of mixer or device parameters via Aftertouch, crackles could be noticed in the audio stream.

The Live browser “All Results” label would not remember the settings for the optional second column.

Fixed a rare crash which might happen on OS X with certain input sources.

Fixed a crash which might occur when deleting several Max for Live devices from a Live Set at once.

Live would crash when quitting the application while renaming a Groove in the Groove Pool.

Peak Levels in External Instrument and External Audio Effect devices would only be updated if these were displayed in Device View.

A Live Set might become corrupt when saved after a crash recovery, if the original Live Set had meanwhile been modified by a different Live instance.

Notes at the beginning of Clips would not be triggered when rendering or freezing tracks containing Max for Live devices or third party plugins.

Remote mappings via a Max for Live device would not work for toggle parameters anymore.

The mouse would behave erratically when controlling encoders and faders on OSX, if the Live GUI was zoomed-in either via OS or via the native Live zoom preference setting.

Minor adjustments to the translations of Clip context menus.

Overdrive would report a wrong latency value, thus would not correctly be compensated.

Saturator and Dynamic Tube would report a wrong latency value when operating in High Quality / Oversampling mode, thus would not correctly be compensated.

Redux would report a wrong latency value when in Soft mode, thus would not correctly be compensated.

Minor GUI bugfixes for high resolution displays.

Fixed a bug which could cause graphics glitches and crashes on OSX when using high resolution displays.

Fixed a bug where the mouse cursor would stay in stopwatch or beachball mode until the user physically moved the mouse. This would happen after loading devices, live sets, or anything else which would necessitate the use of the stopwatch cursor.

Updated the pixel font (used primarily in device LCDs like Operator) for retina displays. Also improved the aspect of envelope curves drawn in the device’s LCD displays.

Fixed a glitch where the modulated value would become visible as an orange dot while dragging a slider, even if no modulation exists.

Changes for Push:

Added 64 Pad Drum Rack mode for Push. The Note button now toggles between the Drum Rack three section layout and the 64 Pad Mode.

Improved aftertouch response and added an aftertouch Threshold setting in the Push User Preferences

Added Modwheel functionality for the Push Ribbon Controller. Tapping the Ribbon Controller while holding “Select” toggles between Pitch Bend and Modwheel function.

Holding “Delete” and tapping an encoder on Push resets the respective parameter to the default setting.

Holding “Shift” while turning an encoder on Push changes the respective parameter with finer resolution.

Improved buttons readability on Push. The Repeat and Metronome buttons now blink if active.

When recording using Repeat on Push, the MIDI notes would be recorded with a negative offset with respect to the grid if the option “Reduced Latency when Monitoring” was on. This caused the very first note in the Clip not to be played back at all.

Using “Shift” + “Add Effect” or “Add Track” while in Scales mode would cause the display to show the Note Layout options even after releasing the Shift button.

When selecting a Drum Rack Pad set to Multisample mode with Push, pressing “Device In” with Push would automatically select the first device in the Chain list, and it would not be possible to go back to the enclosing Instrument Rack device.

https://www.ableton.com/ja/help/article/live-9-release-notes/